The Power of Voice Over

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The Power of Voice Over

As voice actors, we often get caught up in the process, and forget the impact that our voices can have on a production.

Recently, I saw a car commercial from Lincoln named “Olivia’s Wish List”. It was a very cute spot featuring a girl in a car who makes wishes on a snow globe. She wishes for snow, toys, dancing. The audio track is only music (The Philadelphia Orchestra “Suite for Variety Orchestra No. 1: VII. Waltz No. 2”).

I wondered how much the feel of the commercial could be changed by adding a voice over track. I chose a more sinister take than the original, but everything else (video, music) is the same.

Here’s my take on the commercial: “Olivia’s Evil Wish”

… and for your reference, the original is here:

What other ways could you interpret this spot? How can your voice breath life into the productions you’re involved in?

Stay creative, my friends!
Joe

 

All content written and voiced by Joe J Thomas online at: JoeActor.com

 

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Talent and Training vs Tools

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Talent and Training vs Tools

I’ve seen way too many newbies to the world of Voice Acting ask the following questions:

  • “Which microphone should I buy?”
  • “Do I need ISDN?”
  • “What’s the best porta-booth?”
  • “How can I make my first VO demo?”
  • “Who knows a good agency looking for new talent?”

Arrrrggghhh!!!

First things first: Know the capabilities and limits of your own talents.

Second things second: Get the training need to fully utilize all your skills.

Before you spend a dime on tools, booths, mics, mixers, demos, etc… Put in the work needed to be an excellent Voice Actor. Theatre. Improv. Singing. Coaches, classes and even conferences.

Many people find that the answers to many questions will reveal themselves if you’re​ on the right path.

Shortcuts are extremely rare. Take the time to build a solid foundation and you’ll greatly increase your odds of success.

Measure Twice, Cut Once.

Joe

PS: here are all the answers…

  • The one that works best for your voice and space.
  • No.
  • Pillow fort, or rental car.
  • Hire a pro… Only when you’re ready.
  • All agencies want new talent, if you have something they need.

 

All content written and voiced by Joe J Thomas online at: JoeActor.com

 

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Singing For VO

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Singing for Voice Over

Singing offers a lot of tangible advantages to anyone in Voice Acting.
For those of you who sing, I know I’m preaching to the choir! (rim shot)

But how long has it been since you’ve had a refresher?
And if you’re in VO and don’t sing, why not?

Although I’ve been in many musicals, sung with choral groups, and even performed musical improv, it had been a few years since I really sang.

Time for a tune-up!
I recently started taking lessons with a new teacher, and it’s given me a renewed sense of confidence in my vocal abilities.

Here are just a few of the areas singing can help with:

  • Tone:
    The pitch of your voice… high, medium, low (Soprano, Alto, Tenor, Baritone Bass)
  • Breathing:
    Proper breathing allows you to better control your sound.
  • Timing:
    Learning musical rhythm can help in setting your pace for both segments of the copy and for the overall read.
  • Vocal Placement:
    Chest voice, Head voice, Throat, etc. Placement is especially useful in creating characters and accents.
  • Core Support and Strengthening:
    A strong core is related to your breathing, and can give you more power and energy in your voice.
  • Volume Control:
    Knowing when to sing soft is just as important as being able to belt out a tune. Having a solid control of your volume takes practice.
  • Conveying Emotion:
    Even in a language you may not understand, songs can elicit a great deal of emotion. Learning how to deliver that to your audience is directly applicable to VO work.
  • Communication of Ideas:
    Clear communication is another win for any voice work. Knowing how to form your words and phrases so that they convey ideas is the core of it all.

My friend Marc Cashman even has a chapter in his book “V-Oh! Tips, Tricks, Tools and Techniques to Start and Sustain Your Voiceover Career” dedicated to the concept of “Finding the Music in Copy”. Here’s a short excerpt:

“Copy or text is musical. It has ebb and flow and different keys. It has sharps, flats, rests, words that are held, chopped off, high or low, soft or loud, all the same emphasis or wild ups and downs, with dynamics and crescendos. Copy reads (or plays) like a story/song, with a beginning, middle and end.”

(Marc’s book is available on Amazon, or click here to order an autographed copy)

Sometimes, I’ll even sing the copy just to get a different feel for the way it flows.

Do you sing? If so, how long has it been since you performed or had lessons? It might be time for a refresher to tune-up your instrument!

To close, here’s a number that I’ve been working on.
It’s called “I Won’t Send Roses” from the musical “Mack and Mabel” – Enjoy!

      I Won't Send Roses (Joe J Thomas)

 

All content written and voiced by Joe J Thomas online at: JoeActor.com

 

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How Do I Get Into Voice Over?

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How Do I Get Into Voice Over?

We hear it all the time… It seems like a simple enough question, but in truth it may as well say “How do I build a house?”

The answer depends on many things, including:

  • Who’s asking the question?
  • What genre of VO are they pursuing?
  • Do they have prior skills?

Here’s three possible scenarios:

Scenario 1: Albert
Background: Professional name screen actor in movies and tv. Would like to get into animated features.
Advice: Ask your agent or manager to start focusing on VO. Take some classes in mic technique if needed.

Scenario 2: Betty
Background: Was in radio for years, now retired. Wants to get into narration.
Advice: Take some acting or improv classes, along with coaching for a more natural VO delivery. Get a VO demo made when ready, and find an agent to represent you.

Scenario 3: Charles
Background: No prior acting experience, but can do some voices. Loves anime and would like to be an ADR VO.
Advice: Start with the basics. Take acting, improv and singing. Learn to build fully-fleshed characters, not just voices. Then move on to VO classes and find a trusted coach. They can lead you from there.

Too often, we rush into answering the question “How Do I Get Into VO?” without considering who’s asking or what they mean. In order for the advice to be truly useful, it must be targeted to the person asking the question.

In many ways, this is related to a prior post that you may also wish to read:
Joe’s Dump – Advice on Advice

So, next time you hear this question, maybe take a step back and consider before answering. It could be much more valuable to the person who’s asking.

Cheers,
Joe

 

All content written and voiced by Joe J Thomas online at: JoeActor.com

 

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Voice Over Limericks!

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Voice Over Limericks Logo

Fiverr Ten
A desperate guy named Ted
Wrote a Fiverr ad which read:
“For five bucks I’ll voice”
“Whatever’s your choice”
“And for ten you’ll get breakfast in bed!”

DAW, Doh!
Is your system a Mac or PC?
AIF, WAV, MP3?
When you’re starting VO
It’s important to know
What’s better? Protools or Adobe?

Re: Union
The union will give you a say
As a group we have more sway Continue reading

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The Myth of Conversational VO

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The Myth of Conversational VO

(aka. “Nobody Talks Like That”)

BlahBlahBlah
A big part of the job of voice acting is auditioning. And a current trend seen in many auditions is the “Conversational” or “Non-Announcer” style. Rarely a day goes by that I don’t see at least one audition request asking for that guy-next-door sound. A friend. A neighbor. BUT NO ANNOUNCERS!

Well, I’m here to tell you, friends and neighbors… there’s very little VO out there in the real world that would be mistaken for an actual conversation. Here are just a few examples:

Continue reading

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