~~~ Lyrics ~~~
I joined a pay-to-play site
‘Cuz I got my voice to sell
They send me lots of auditions
And I’m doin’ really well
Then I reach the part where the paycheck comes
A dollar ninety three
Are you frickin’ kiddin’ me?!?!?
This headset mic is really boss
It’ll take me twenty bucks to pay it off
~~~
If I could read your copy
For a product you’d like to sell
Be on a national commercial
The kind that pays my bills
Maybe I could be on a cartoon show
And be famous on TV
Or a hero in a game
The Simpsons or an Anime
Can’t you see I only need a break
~~~
My fans would think I’m a movie star
With a mansion on the beach
Or maybe even two
With lots of green, I’m on the scene with paparazzi crowding all round me
But for now I should be real
I never learned how to act on stage
And I’ve got to say that they just don’t get it
I don’t know where I went wrong
But my money’s gone and I just can’t get it back
~~~ (end) ~~~
All content written and voiced by Joe J Thomas online at: JoeActor.com
I’d won the contest, and the prize was 100 rubber chickens, plus my yodel in a toy.
Now, the first toy (Feb, 2007) was not the Yodeling Pickle, but instead was the “Remote Control Hopping Yodeling Lederhosen” (with a knockwurst remote, of course):
Then in April of 2007 came the now famous “Yodeling Pickle”:
In December of 2008, the Today Show with Cathy Lee and Hoda reviewed the pickle:
Kathy Lee Gifford sang with it and said “Nothin’ beats the Singin’ Pickle!”
Sales of the Yodeling Pickle were great, and soon they came out with other yodeling products (more on those below).
On December 26, 2010, the Grammy winning band “Gorillaz” album “The Fall” featured the yodel on track 15: “Seattle Yodel”:
On May 22, 2013: George Takei posted his comedic review of the Yodeling Pickle on Amazon:
And on June 17, 2015: Weird Al Yankovic tweeted this (along with a review on Amazon)
“You can have my electronic yodeling pickle WHEN YOU PRY IT FROM MY COLD, DEAD FINGERS.”
Illustrations by K. Woo (On Instagram – click here!)
Lyrics and Voice by Joe J Thomas
Copyright 2017 Joe J Thomas, Joe’s Dump
www.JoesDump.com
Not a Quinn-Martin Production
~~~ Lyrics ~~~ Ode to Obi-Wan
(from “Star Wars: A Forced Musical”) Written by: Joe J Thomas
Oh my father was full of midichlorians they say
That’s why the force in me is so hot
I’d go out in my speeder shootin’ womp rats all day
But now tell me what have I got?
If you’re gonna be a Jedi
You wanna have a dead eye
With a saber or blaster gun
But you gotta have a master
When you’re headed for disaster
Oh the man that you want’s Obi-Wan
He’s a guy who knew your father
But don’t you go and bother
Asking what dear ole’ dad become
Cuz you might be relater
To someone named Darth Vader
No you can’t trust that old Obi-Wan
Obi-Wan! Obi-Wan!
Did you know that he trained Anakin?
If you’re the type of mister
Who’d go and kiss his sister
And fly round with a guy named Han
Get your butt to Dagobah
You gotta train with Yoda
See the ghost of your friend, meet your paw in the end
But it all began with Obi-Wan
If you sneak into the Death Star
And your Jedi skills are sub-par
All your friends will be suffer-un
You could lose a hand to daddy
See a sarlaac eat a baddy
Have a trash bin squeezin’ your buns
You may meet in a cantina
With a ugly dude who’s meaner
Than a Wookie with fleas by gum
Or hear ghosts in your X-Wing
Say your nav comp is a bad thing
Never watch movies three, two, or one
Obi-Wan! Obi-Wan!
Get the heck out my head Obi-Wan!
If you’re knocked out by a Wampa
Or stuffed into a Ton-ton
Win a race on the Kessel run
Defeat an evil empire
Then dance around a campfire
Carbonite, Saber Fight, Ewoks might die of fright
Heck you might even see Obi-Wan
All content written and voiced by Joe J Thomas online at: JoeActor.com
“Man of Collusion” (parody of “Land of Confusion” by Genesis)
~~~ Lyrics ~~~
“Man of Collusion”
(parody of “Land of Confusion” by Genesis)
Lyrics and Vocals by Joe J Thomas
———-
He’s cooking up a thousand schemes
Inspiring a million memes
But I can read his midnight tweets
I’ll bet his phone overheats
Now did you watch Fox News today?
They say the danger’s gone away
But CNN’s still ringing in my ears
Showing all the president’s fears
There’s alternate facts
Too many lies
Constitutional crisis
And not much truth to go round
Can’t you see this is a man of collusion?
Putin helps Trump with winning
Top secrets are what he’s giving
The Whitehouse is all on trial
His voters in deep denial. Yeah.
Hey businessman where are you now?
Off golfing like some well fed cow
Or hiding in your golden tower
You’re losing control of your power
There isn’t a wall
No health plan or tax
There’s obstruction of justice
But there’s not much truth to go round
When can we convict these men of collusion?
Kushner and Flynn and Sessions
Have gotten the Russian’s blessings
With Manafort, Page and Stone
Protected with Trump by Michael Cohen
Trump teases Kim Jong Un
He acts like a New York goon
This tiny brained orange hair villain
Is toying around with killin’ us
All content written and voiced by Joe J Thomas online at: JoeActor.com
This week I’m posting a cover version of “Brown Derby Jump” by Cherry Poppin’ Daddies.
I like to keep my singing chops on par, so I try to challenge myself with new material. On this song, I found the timing of the words and music to be very interesting.
Hope you enjoy it!
Brown Derby Jump (cover song by Joe J Thomas)
All content written and voiced by Joe J Thomas online at: JoeActor.com
… Plus: Personal Profiles, Politics, Parodies, and plenty more!!!
Music Trivia Two-fer
This week, I’ve also got two trivia stories about some surprising back-stories to popular songs.
First up: You Don’t Bring Me Flowers (duet by Neil Diamond and Barbra Streisand)
Did you know that this famous duet came from a radio program director’s divorce?
Neil Diamond recorded the song first in 1977 as a solo, followed by Barbra Streisand’s solo version in 1978. This is where WAKY-AM/Louisville KY program director, Gary Guthrie, comes in. He spliced together a duet version as a parting present to his wife after their divorce. His version became so popular that the record label got Diamond and Streisand to record an official version that was released in the fall of 1978!
… and here’s Gary Guthrie’s mixed version on American Top 40:
https://www.youtube.com/watch?v=XmjKMiBShVk
And second: Mike Sammes – the backup singer for Olivia Newton John’s “Let Me Be There”
The bass part in “Let Me Be There” by Olivia Newton John is so prominent, I’d almost classify the song as a duet. Out of curiosity, I checked into who the bass singer was. His name was Mike Sammes, and his credits are amazing. He also sang backup on The Beatles “I Am The Walrus”, and for the TV show “Supercar”.
13 Voices in 60 Seconds: Singing Impressions by Joe J Thomas
… and the LP Audio Version for those that want to hear more:
Joe_J_Thomas-Singing_Impressions(long)
More information at: JoeActor.com
Singer: Joe J Thomas
Audio Producer: Mike Finkel
Voice Coach: Charles Ion
Copyright Joe J Thomas (JoeActor.com) 2016
All Rights Reserved
Not a Quinn-Martin Production
How This Demo Came To Be…
As a bit of background, I’ve been singing for several decades. Musical theatre, choir, stage performances with bands… Even traveled with an Elvis impersonator. All of it laid a great foundation. However, it had been a while since my last public performance. Most of my singing now is in the car or for the occasional animation audition.
So, I’d decided to brush up on my singing early in the year, and sought out a new vocal coach. Turns out there is a great guy who teaches at a local college and also gives private lessons.
After getting some of the cobwebs off and learning some new techniques, it was time to put my training to work.
In early August, 2016, I started working with my voice coach and an audio producer on the tracks for the finished demo. The idea had been rattling around in my head for quite some time, and I was already adept at several singing impressions. My voice coach was crucial in getting me to find the right placement for each singer and song.
I recorded a full or partial take of each song (vocal only), and sent the voice track and backing track to the audio producer. We’d also worked together in the past, so he was familiar with my voice and able to give precise feedback on what needed to be tweaked.
Once the base tracks were in a rough edit phase, I enlisted the ears of my wife, and several of my good friends. Each of their feedback went into my decision on which tracks made the final cut.
The last step was for my audio producer to assemble the tracks into a balanced, finished demo.
As a side benefit, I also picked up a lot of new knowledge and techniques.
Now… On to the next challenge!
See you in the booth,
Joe
All content written and voiced by Joe J Thomas online at: JoeActor.com
Even an incomplete project can be a fertile testing grounds for growing new skills and fostering creativity. Here’s just one recent example from Joe’s Dump…
So, I created one for him – a parody of Herman’s Hermits “I’m Into Something Good”:
Ban Ki-moon Tune! (Joe J Thomas)
Sometimes my initial goal gets expanded and leads to a more complicated project.
This time, I though I’d make a music video featuring a cartoon version of Ban Ki-moon!
Ambitious considering my level as an animator and the limitations of the software.
In the end, the video never came together… but I did learn some very valuable techniques for future projects: Continue reading →
Singing offers a lot of tangible advantages to anyone in Voice Acting.
For those of you who sing, I know I’m preaching to the choir! (rim shot)
But how long has it been since you’ve had a refresher?
And if you’re in VO and don’t sing, why not?
Although I’ve been in many musicals, sung with choral groups, and even performed musical improv, it had been a few years since I really sang.
Time for a tune-up!
I recently started taking lessons with a new teacher, and it’s given me a renewed sense of confidence in my vocal abilities.
Here are just a few of the areas singing can help with:
Tone:
The pitch of your voice… high, medium, low (Soprano, Alto, Tenor, Baritone Bass)
Breathing:
Proper breathing allows you to better control your sound.
Timing:
Learning musical rhythm can help in setting your pace for both segments of the copy and for the overall read.
Vocal Placement:
Chest voice, Head voice, Throat, etc. Placement is especially useful in creating characters and accents.
Core Support and Strengthening:
A strong core is related to your breathing, and can give you more power and energy in your voice.
Volume Control:
Knowing when to sing soft is just as important as being able to belt out a tune. Having a solid control of your volume takes practice.
Conveying Emotion:
Even in a language you may not understand, songs can elicit a great deal of emotion. Learning how to deliver that to your audience is directly applicable to VO work.
Communication of Ideas:
Clear communication is another win for any voice work. Knowing how to form your words and phrases so that they convey ideas is the core of it all.
“Copy or text is musical. It has ebb and flow and different keys. It has sharps, flats, rests, words that are held, chopped off, high or low, soft or loud, all the same emphasis or wild ups and downs, with dynamics and crescendos. Copy reads (or plays) like a story/song, with a beginning, middle and end.”
